With the countryside footage fundamentally secured the group began to ponder over a day in which we could shoot the psychiatrist sequence. With the first and foremost priority concerning if our time-table frees interlocked, we settled on the 30th of November- a Wednesday. This would essentially serve as enough time to lock down the psychiatrist footage, with just one more day left to execute the bathroom sequence (and remaining shots).
With this arrangement set firmly in the groups minds we set off to prepare for the days shooting. With Dave devising some last minute script notions we even began to reconsider re-drafting the script for the day ahead. However, a day prior to the shooting process the BBC Weather Forecast looked somewhat daunting. Reports had been formulated stating Heavy snow and light rain showers for the night.
If the forecast was accurate to any extent, the days planning would have to be abolished. This fundamentally derived down to a series of reasons, the most predominant being the fact that if the snow was as relentless as predicted, the team wouldn’t be able to congregate at all. Secondly, the shots captured in the sequence prior were merely somewhat foggy; therefore the conflicting mise-en-scene would be extremely noticeable.
As a result, we have been left with no other choice but to shoot another day when the snow has cleared- perhaps the Friday of the week. However, one lesson to take from this unfortunate circumstance is that we need to scheme these days more thoroughly, insuring the weather will match the cinematic frameworks, and preferably earlier in the year, with more time to spare.
With this arrangement set firmly in the groups minds we set off to prepare for the days shooting. With Dave devising some last minute script notions we even began to reconsider re-drafting the script for the day ahead. However, a day prior to the shooting process the BBC Weather Forecast looked somewhat daunting. Reports had been formulated stating Heavy snow and light rain showers for the night.
If the forecast was accurate to any extent, the days planning would have to be abolished. This fundamentally derived down to a series of reasons, the most predominant being the fact that if the snow was as relentless as predicted, the team wouldn’t be able to congregate at all. Secondly, the shots captured in the sequence prior were merely somewhat foggy; therefore the conflicting mise-en-scene would be extremely noticeable.
As a result, we have been left with no other choice but to shoot another day when the snow has cleared- perhaps the Friday of the week. However, one lesson to take from this unfortunate circumstance is that we need to scheme these days more thoroughly, insuring the weather will match the cinematic frameworks, and preferably earlier in the year, with more time to spare.
Captain hindsight says we should've thought of this earlier!
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