The Black Hole is a 2.5 minute short film which I found on YouTube. Though it is much shorter than the film which we are required to produce, I thought it was extremely memorable and shows how effective a short film based on a single controlling idea can be. Therefore, I have decided to analyse it for the benefit of our group.
The film begins with a shot panning across an empty office to the face of a bored, sleep-deprived office worker at a photocopier machine. The mise-en-scene of the office is reminiscent of the film Fight Club (2001, David Fincher), in that although is a bog-standard office, the colours are very bleak and dark - a Fincher trademark.
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The next shot cuts quickly from a close up of the protagonist pressing the button on a photocopier machine to the expression of frustration on his face when it doesn’t work. He presses the button repeatedly and kicks the machine again demonstrating his frustration.
There is then a close-up of the machine printing off a large sheet of paper with a black circle on it. The shot lingers on this for a second, indicating its importance as the controlling idea in the film.
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After he has picked up the sheet of paper, looked confused and then set it back down on the machine, there is a telling shot from inside the black hole looking up at the worker. This is reminiscent of the trademark shots used by Quentin Tarantino when a character opens the boot of a car or a suitcase and the next shot is from inside. This gives a sense of mystery as it does not reveal what is inside, while showing the expressions on the faces of the characters.
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After he discovers the possibilities which the black hole opens up to him, his non-verbal communication changes from confusion to excitement as he looks over to the vending machine. The discovery which he has made affords him limitless opportunities, as he realises. At this point, the black hole represents many discoveries made by man. He has gone through the curious phase within seconds, and is now reaping the benefits of his discovery – a free bar of chocolate.
As he is eating the chocolate, a close up of his face shows his eyes fixing on something in the office. At this point his NVC changes to sheer greed, with the chocolate bar aiding in representing his gluttony.
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An effective shot from behind the door shows his silhouette approaching through the window, indicating that he is doing something he is not supposed to be doing.
As he reaches into the safe, we again hear the faint but foreboding noise from the black hole. As he pulls more and more cash out of the safe, the editing becomes rapid. This shows his desperation to get more money, and also suggests his guilt as he does it, looking around nervously all the time.
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